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Description:
Although lost to the reading public for over a century, Harriet
Wilson's fictional autobiography, Our Nig; or Sketches from
the Life of a Free Black (1859), is of dual importance within the
American literary tradition. Not only does it echo the conventions
of eighteenth and nineteenth-century slave and captivity narratives
like those written by Frederick Douglass and Harriet Jacobs, but
its sentimentalism typifies the style of much of nineteenth-century
American popular fiction, particularly that written by women like
Lydia Maria Child and Harriet Beecher Stowe. Imbued with these diverse
literary influences, Wilson's story of an indentured servant named
Frado indicts slavery vis-a-vis the cultural cache that nineteenth-
century sentimental fiction lent to the domestic sphere.
The story unfolds as Frado's "fallen" mother and stepfather
abandon the little girl to years of servitude within the Bellmont
homestead, a "two-story White House , North." Under the
abusive command of the "she-devil" matriarch, Mrs. Bellmont,
and despite the sympathetic efforts of Mr. Bellmont, his sons, and
invalid sister; Frado's daily reality becomes one of harsh physical
labor, endless menial tasks, and violent exchanges between herself
and the stormy Mrs. Bellmont. Crafting this horrific surrogate mother
for her fictional alter-ego Frado, Wilson reconfigures her audience's
expectations of domestic serenity into its shockingly-realized antithesis.
Rewritten in this way, the mythic trappings of sentimental fiction
lend themselves well to exposing the realities of slavery in pre-civil
war New England "Showing that Slavery's Shadows Fall Even here."
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Harriet E. Adams Wilson is believed to be the first African-American
woman to publish a novel in English. Rediscovered by literary scholar
Henry Louis Gates, Jr. in 1981, Wilson displaced Frances E. W. Harper
as the mother of the African-American novel. Previously, Harper's
novel Iola Leroy (1892) on by an African-American woman. Wilson's
only published work, Our Nig; or, Sketches from the Life of a Free
Black, in a Two-Story White House, North. Showing that Slavery's
Shadows Fall Even There. By "Our Nig." (1859), is an autobiographical
novel based on her life as a black indentured servant in New England.
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