Lesson
4: Lesson Plan
Reading the Mystery with a Purpose
Book: Rage in Harlem or other mystery/detective
fiction by Chester Himes.
Grade Level: 11/12
Essential Question: What are the elements of
a mystery from the writer’s point of view?
Connection to Standards: Reading: Narrative
Analysis of Grade-Level-Appropriate Text (11/12 3.2 –
9/10 3.3, 3.4 & 3.9)
Technology: The computer is used as a recording,
word-processing tool to document responses to the literature.
Lesson Plan Content:
0) Recall the web quests you have done and/or give background
on Chester Himes and Harlem in the ‘40’s and
‘50’s. Briefly review lesson 3 – How
to Write a Mystery Story.
1) Read Rage in Harlem or other Chester Himes’
mystery set in Harlem.
2) In reciprocal teaching groups discover how Himes develops
the following elements of the mystery novel.
a. The plot
b. The detective
c. The crime
1. Setting
2. Social melieu
e. The suspect pool
f. The clues including the red herrings
g. The “reveal” –
when the solution is revealed by the detective.
h. Motive
i. Opportunity
j. Legal – criminal justice system
– aspects
3) Have the students complete a dialectal journal after
the reciprocal teaching groups meet to document the finding
they and their group derive.
Assessment:
The objective here is to examine how a professional
mystery writer crafts his/her story in hopes that the
examination will assist the student craft his/her own
story written in lesson 5.
Quiz: Formulate a multiple choice
quiz after giving the students time to read the book on
their own. The quiz should be designed to test the reading,
not necessarily the understanding of the mystery elements
and should be presented as an inducement to get the students
started reading.
Observation: Observe the discussions
in the reciprocal teaching groups and collect the student
notes taken during the discussion. Directions: Place
the students in a group of five composed of a student
leader/facilitator and a summarizer, questioner, clarifier
and a predictor each of which leads the discussion of
the story from his/her special focus. (See: Robert J.
Marzano, Debra J. Pickering, Jane E. Pollock’s Class
Room Instruction that Works, Association for Supervision
and Curriclum Development, Alexandria, Va, 2001).
Dialectal Journal: Each student, after group work,
completes a dialectal journal.
| |
Weak |
Strong |
Excellent |
| Characters |
Characters are stock, weak
or unbelievable. |
Characters are engaging
particularly the detective. |
At least two characters
are unforgettable, engaging or fun. |
| Plot |
The plot, though present,
is unrealistic or hard to follow. Or it does not
“work.” |
The plot has twists but
remains possible, believable and compelling. |
The plot is ingenious,
employing ruses and surprises. |
| Ingenuity |
The story is mundane or
lacks compelling detail of action, situation or
character. |
The writer shows ingenuity
in crafting the plot, characters and situation.
Surprises are included. |
The writer has thought
about the problems of creation and clearly shows
some mastery. |
| Situation |
The crime is either too
brutal, too usual or the situation is unrealistic.
|
The situation is not only
possible but likely though surprising. |
The situation is plausible,
engaging, well researched and authentic. |
|